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| 1) |
PROMS - The production and reading of music sources. Mise en-page in manuscripts and printed books containing polyphonic music, 1480 - 1530 "
| 602 | |
11 | |||
| 2) |
Thomas Schmidt, {Making polyphonic books in the late Fifteenth and early Sixteenth centuries, in {The production and reading of music sources, mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530, a cura di Thomas Schmidt and Christian Thomas Leitmeir, Turnhout, Brepols, 2018, p. 15 nota 68, p. 16 | 592 | |
9 | |||
| 3) |
RISM B/III.6: {The Theory of Music. Manuscripts from the Carolingian Era up to c. 1500. Descriptive Catalogue of Manuscripts. Addenda, Corrigenda, a cura di C. Meyer, C. Ruini, G. Di Bacco, München, G. Henle, 2003, p. 455 | 466 | . |
20 | |||
| 4) |
Oscar Mischiati, {Il catalogo originale dei codici manoscritti di padre Martini, «Studi Musicali», XXVIII (1999), pp. 117-218 | 170 | . |
328 | |||
| 5) |
Madeleine Bernard, {Die Ueberlieferung der Neumennnamen im lateinischen Mittelalter, in {Quellen und Studien zur Musiktheorie des Mittelalters, II, a cura di M. Bernard, München, 1997, p. 32 | 211 | |
2 | |||
| 6) |
Oscar Mischiati, {La prassi musicale presso i Canonici regolari del SS. Salvatore nei secoli XVI e XVII e i manoscritti polifonici della Biblioteca musicale G. B. Martini di Bologna, Roma, Torre d'Orfeo, 1985, p. 81 (Cfr. anche H.66, cc. 68-69 e c. 185; H.83, c. 29) | 25 | . |
48 | 1 | ||
| 7) |
F. Alberto Gallo, {Die Notationslehre im 14. und 15. Jahrhundert, in {Die Mittelalterliche Lehre von der Mehrstimmigkeit, a cura di F. Zaminer, Darmstadt, Wissenschaftliche Buchgesellschaft, 1984 (Geschichte der Musiktheorie, 5), pp. 257-356, p. 355 | 181 | |
7 | |||
| 8) |
Bonnie J. Blackburn, {A lost guide to Tinctoris's teachings recovered, «Early Music History», I (1981), pp. 29-116 "
, pp. 46-53 | 210 | |
2 | |||
| 9) |
{Census-catalogue of manuscript sources of polyphonic music, 1400-1550, Neuhausen, A.I.M. - Hänssler, I, p. 68 + IV, p. 273 | 72 | . |
25 | |||
| 10) |
Winfried Kirsch, {Josquin's motets in the German tradition, in {Josquin des Prez. Proceedings of the International Josquin Festival-conference, 21-25 june 1971, London - New York - Toronto, Oxford University Press, 1976, pp. 261-278 | 234 | |
2 | |||
| 11) |
Karl-Werner Gumpel, {Eine katalanische Version der Mensurallehre des Guillermus de Podio, «Orbis Musicae», II (1973-1974), pp. 41-52, p. 42 | 208 | |
2 | |||
| 12) |
Karl-Werner Gumpel, {Das Enchiridion de principiis musice discipline des Guillermus de Podio, «Spanische Forschungen der Görresgesellschaft, 1. Reihe», XXVII (1973), pp. 359-396, pp. 359-362 | 207 | |
2 | |||
| 13) |
Valerie Weinhouse O'Donoghue, {A music manuscript from the Spanish College of Bologna. A study of the manuscript Bologna, Civico Museo Bibliografico Musicale, MS A 71 (olim 159), tesi di master, University of Illinois, 1972, passim | 206 | |
2 | |||
| 14) |
F. Alberto Gallo, {Philological works on music treatises of the Middle Ages. A bibliographical report, «Acta Musicologica», XLIV (1972), pp. 78-101 "
, p. 94, 100 | 177 | |
6 | |||
| 15) |
Paul Oscar Kristeller, {Iter italicum. A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries, London - Leiden, The Warburg Insitute - Brill "
, I, pp. 29-30 | 171 | |
44 | |||
| 16) |
Robert Stevenson, {Spanish music in the age of Columbus, The Hague, Nijhoff, 1960, pp. 74-77 | 205 | |
2 | |||
| 17) |
Higini Anglès, {La notación española de la segunda mitad del siglo XV. Un tratado desconocido de Guillermus ... de Podio, «Anuario Musical». II (1947), pp. 151-173 "
, p. 159 | 217 | |
2 |
| Legenda: |
Opere citate: Libri
Opere iconografiche
Lettere
Strumenti
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