musei bologna musei bologna musei bologna musei bologna
1)  PROMS - The production and reading of music sources. Mise en-page in manuscripts and printed books containing polyphonic music, 1480 - 1530 "
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2)  Thomas Schmidt, {Making polyphonic books in the late Fifteenth and early Sixteenth centuries, in {The production and reading of music sources, mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530, a cura di Thomas Schmidt and Christian Thomas Leitmeir, Turnhout, Brepols, 2018, p. 15 nota 68, p. 16
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3)  RISM B/III.6: {The Theory of Music. Manuscripts from the Carolingian Era up to c. 1500. Descriptive Catalogue of Manuscripts. Addenda, Corrigenda, a cura di C. Meyer, C. Ruini, G. Di Bacco, München, G. Henle, 2003, p. 455
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4)  Oscar Mischiati, {Il catalogo originale dei codici manoscritti di padre Martini, «Studi Musicali», XXVIII (1999), pp. 117-218
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5)  Madeleine Bernard, {Die Ueberlieferung der Neumennnamen im lateinischen Mittelalter, in {Quellen und Studien zur Musiktheorie des Mittelalters, II, a cura di M. Bernard, München, 1997, p. 32
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6)  Oscar Mischiati, {La prassi musicale presso i Canonici regolari del SS. Salvatore nei secoli XVI e XVII e i manoscritti polifonici della Biblioteca musicale G. B. Martini di Bologna, Roma, Torre d'Orfeo, 1985, p. 81 (Cfr. anche H.66, cc. 68-69 e c. 185; H.83, c. 29)
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7)  F. Alberto Gallo, {Die Notationslehre im 14. und 15. Jahrhundert, in {Die Mittelalterliche Lehre von der Mehrstimmigkeit, a cura di F. Zaminer, Darmstadt, Wissenschaftliche Buchgesellschaft, 1984 (Geschichte der Musiktheorie, 5), pp. 257-356, p. 355
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8)  Bonnie J. Blackburn, {A lost guide to Tinctoris's teachings recovered, «Early Music History», I (1981), pp. 29-116 " , pp. 46-53
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9)  {Census-catalogue of manuscript sources of polyphonic music, 1400-1550, Neuhausen, A.I.M. - Hänssler, I, p. 68 + IV, p. 273
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10)  Winfried Kirsch, {Josquin's motets in the German tradition, in {Josquin des Prez. Proceedings of the International Josquin Festival-conference, 21-25 june 1971, London - New York - Toronto, Oxford University Press, 1976, pp. 261-278
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11)  Karl-Werner Gumpel, {Eine katalanische Version der Mensurallehre des Guillermus de Podio, «Orbis Musicae», II (1973-1974), pp. 41-52, p. 42
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12)  Karl-Werner Gumpel, {Das Enchiridion de principiis musice discipline des Guillermus de Podio, «Spanische Forschungen der Görresgesellschaft, 1. Reihe», XXVII (1973), pp. 359-396, pp. 359-362
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13)  Valerie Weinhouse O'Donoghue, {A music manuscript from the Spanish College of Bologna. A study of the manuscript Bologna, Civico Museo Bibliografico Musicale, MS A 71 (olim 159), tesi di master, University of Illinois, 1972, passim
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14)  F. Alberto Gallo, {Philological works on music treatises of the Middle Ages. A bibliographical report, «Acta Musicologica», XLIV (1972), pp. 78-101 " , p. 94, 100
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15)  Paul Oscar Kristeller, {Iter italicum. A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries, London - Leiden, The Warburg Insitute - Brill " , I, pp. 29-30
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16)  Robert Stevenson, {Spanish music in the age of Columbus, The Hague, Nijhoff, 1960, pp. 74-77
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17)  Higini Anglès, {La notación española de la segunda mitad del siglo XV. Un tratado desconocido de Guillermus ... de Podio, «Anuario Musical». II (1947), pp. 151-173 " , p. 159
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