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1)  RISM B/III.6: {The Theory of Music. Manuscripts from the Carolingian Era up to c. 1500. Descriptive Catalogue of Manuscripts. Addenda, Corrigenda, a cura di C. Meyer, C. Ruini, G. Di Bacco, München, G. Henle, 2003, pp. 448-449
| 466 | .  
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2)  Vittorio Ghielmi, {An Eighteenth-Century Italian Treatise and Other Clues to the History of the Viola da Gamba in Italy, in {The Italian Viola Da Gamba: Proceedings of the International Symposium on the Italian Viola da Gamba, a cura di Christoph Coin e Susan Orlando, Solignac, Edition Ensemble Baroque de Limoges - Torino, Edizioni Angolo Manzoni, 2002, pp. 73-86 " , p. 448
| 446 |  
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3)  Daniel Seth Katz, {The earliest sources for the "Libellus cantus mensurabilis secundum Johannem de Muris", diss., Duke University, 1989, p. 1
| 164 |  
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4)  F. Alberto Gallo, {Die Notationslehre im 14. und 15. Jahrhundert, in {Die Mittelalterliche Lehre von der Mehrstimmigkeit, a cura di F. Zaminer, Darmstadt, Wissenschaftliche Buchgesellschaft, 1984 (Geschichte der Musiktheorie, 5), pp. 257-356, p. 303
| 181 |  
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5)  F. Alberto Gallo, {Philological works on music treatises of the Middle Ages. A bibliographical report, «Acta Musicologica», XLIV (1972), pp. 78-101 " , p. 93
| 177 |  
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6)  Paul Oscar Kristeller, {Iter italicum. A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries, London - Leiden, The Warburg Insitute - Brill " , V, p. 498
| 171 |  
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