1) |
RISM B/III.6: {The Theory of Music. Manuscripts from the Carolingian Era up to c. 1500. Descriptive Catalogue of Manuscripts. Addenda, Corrigenda, a cura di C. Meyer, C. Ruini, G. Di Bacco, München, G. Henle, 2003, p. 462 | 466 | . |
20 | |||
2) |
{Ars practica mensurabilis cantus secundum Iohannem de Muris. Die Recensio maior des sogenannten "Libellus practicecantus mensurabilis", a cura di Christyian Berktold, München, Beck, 1999 (Veröffentlichungen der Musikhistorischen Kommission, 14), p. XXVII | 167 | |
2 | |||
3) |
Oscar Mischiati, {Il catalogo originale dei codici manoscritti di padre Martini, «Studi Musicali», XXVIII (1999), pp. 117-218 | 170 | . |
328 | |||
4) |
Daniel Seth Katz, {The earliest sources for the "Libellus cantus mensurabilis secundum Johannem de Muris", diss., Duke University, 1989, p. 1 | 164 | |
4 | |||
5) |
F. Alberto Gallo, {Die Notationslehre im 14. und 15. Jahrhundert, in {Die Mittelalterliche Lehre von der Mehrstimmigkeit, a cura di F. Zaminer, Darmstadt, Wissenschaftliche Buchgesellschaft, 1984 (Geschichte der Musiktheorie, 5), pp. 257-356, p. 301 | 181 | |
7 | |||
6) |
Paul Oscar Kristeller, {Iter italicum. A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries, London - Leiden, The Warburg Insitute - Brill "
, V, p. 498 | 171 | |
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Legenda: |
Opere citate: Libri Opere iconografiche Lettere Strumenti |