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| 1) |
PROMS - The production and reading of music sources. Mise en-page in manuscripts and printed books containing polyphonic music, 1480 - 1530 "
| 602 | |
11 | |||
| 2) |
Thomas Schmidt, {Making polyphonic books in the late Fifteenth and early Sixteenth centuries, in {The production and reading of music sources, mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530, a cura di Thomas Schmidt and Christian Thomas Leitmeir, Turnhout, Brepols, 2018, pp. 18 nota 78 e 79, 65 nota 182 | 592 | |
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| 3) |
{Sources of identity. Makers, owners and users of music sources before 1600, a cura di L. Colton e T. Shephard, Turnhout, Brepols, 2017, pp. 31, 35, 227, 236-238 | 585 | |
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| 4) |
..., {..., «Rivista di letteratura italiana», V (1987), pp., p. 250 | 490 | |
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| 5) |
Francesco Luisi, {Il Tentalora ballo dei "tempi passai": vecchie e nuove fonti, in {Musicologia humana. Studies in honor of Warren and Ursula Kirkendale, a cura di S Gmeinwieser, D. Hiley, J. Riedbauer, Firenze, Olschki, 1994 ("Historiae musicae cultores" Biblioteca, 74), pp. 75-113, p. 99 | 59 | |
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| 6) |
{Census-catalogue of manuscript sources of polyphonic music, 1400-1550, Neuhausen, A.I.M. - Hänssler, I, pp. 74-75 + IV, p. 278 | 72 | . |
25 | |||
| 7) |
Claudio Gallico, {Un canzoniere musicale italiano del Cinquecento (Bologna, Conservatorio di Musica "G. B. Martini", Ms. Q21), Firenze, Olschki 1961 (Historiae musicae cultores, biblioteca, 13) | 41 | |
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| 8) |
DIAMM - Digital Image Archive of Medieval Music "
| 323 | |
25 |
| Legenda: |
Opere citate: Libri
Opere iconografiche
Lettere
Strumenti
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